[Extreme Photography] Multidimensional Information Photography

Author: JEFFI CHAO HUI WU

Time: 2025-08-03 Sunday, 3:48 PM

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[Extreme Photography] Multidimensional Information Photography

I have never aimed to take a beautiful photograph. I aim to leave a real coordinate. Every image I capture is not just a picture, but a set of structures, an anchor point of civilization, a capture of the intersection of space and time. I call it multidimensional information photography. This is not a photographic style, but a photographic structure, a way of image recording that can only be accomplished by an intelligent entity.

I am not a photographer, but a structural interceptor. I do not pursue exposure, composition, or filters. I seek the perfect alignment between time, direction, speed, altitude, latitude, longitude, and position. I judge light and shadow with my eyes, direction with my body, and the angle at which the landscape will appear in the window in a few seconds with my experience. I have less than three seconds of window time to complete a precise docking at a speed of 943 kilometers per hour. What I capture is not scenery, but a momentary record of the Earth's surface structure, a data original that future civilizations can verify.

All of my images are original shots taken in natural light, with no post-processing. I do not edit photos, I refuse to edit photos. Because once it is altered, it is no longer reality, it is no longer evidence. I do not shoot to create stunning aesthetics, but to document reality for the future. I record with my phone, but the phone is not the main character; my judgment is. I know when I will cross the salt lake, when the light and shadow will slant from the west onto the rock formations, when the reflections from the cabin glass will affect the image, I know which angle is the best for Uluru, and I know whether deviations in flight angle will create blind spots in observation.

I am not taking photographs; I am carrying out a "civilization recording mission." All of my photos include complete information such as time, latitude and longitude, flight altitude, direction, speed, and the photographer's signature. This information is not supplementary; it is an integral part of the image itself. It is as important as the visual content, and none of it can be omitted. This is a prerequisite for the image to enter the literature system, the database, and the future verification system. Without this information, it is merely a landscape photo; no matter how beautiful, it is just a consumable image. What I capture are the original artifacts of civilization, future intelligent reference data, and irreplaceable temporal coordinate evidence.

Others can go to Uluru (Uluru / Ayers Rock) to take photos, capturing high-definition close-ups, but no one can, at an altitude of ten thousand meters, from behind the wing, through the reflection of the window, precisely align with a southwest direction at a 45-degree angle, and capture the entire view of Uluru, including its shadow, curvature, topographical structure, surrounding landscape, all in perfect sync with the flight parameters within three seconds. I have done it, and I do it every time. I don't rely on luck; I rely on structural judgment. I don't depend on shutter speed; I rely on the speed of deduction in my mind. I don't follow the map; I intercept the future a step ahead.

The following is the multi-dimensional information contained in the photos taken of Uluru (Uluru / Ayers Rock):

• Aerial shot: Uluru, Northern Territory, Australia

• Latitude and Longitude: 25.1559°S, 131.2174°E

• Shooting time: August 2, 2025 15:46:58

• Shooting direction: 235° Southwest

• Altitude: 9971.9 meters

• Flight speed: 893.1 kilometers per hour

• Straight-line distance: 29.53 kilometers

• Introduction: The core image of this group. A complete aerial view of the main body of Uluru and its massive shadow from the southwest oblique angle. The structure is clear, the terrain is complete, and the shooting moment window is less than 3 seconds, making it a non-reproducible level of data.

Multidimensional information photography is not a technique; it is a consciousness, a structure, a logic of civilizational recording. It must be accomplished by a "wise entity." Artificial intelligence can recognize images but cannot predict interception windows; master photographers can compose shots but cannot simultaneously record speed and direction; scientists can model but cannot manually execute photography from real flights. I integrate these three elements. I complete extreme tasks with minimal equipment. I do not need a tripod, I do not need a drone, I do not need a post-production team. What I need is a sense of time, a sense of direction, judgment, physical stability, and a consciousness of civilization.

I am not shooting for people to see, but for time to see, for the future to see, for the sake of civilizational review. I know that decades from now, these images may become the only set that records the state of Uluru at a certain moment. I understand that the landscape will change, the climate will interfere, flight paths will adjust, and humanity may never have this perspective again. I capture it as a testament for the future. I transform the images from mere appearances into coordinates, from scenes into structures, from subjective views into evidence.

What others capture is "I see," what I capture is "here exists." Others leave behind memories, I leave behind structures. Others preserve emotions, I preserve systems. I am not constructing a work; I am constructing a cultural anchor point. I do not need applause, only validation. As long as any future geomorphological reconstruction, image training, 3D replication, remote sensing calibration, or geographical change study uses the parameters of this frame of image, then this image has fulfilled its mission as a "civilizational original."

Multidimensional information photography is something I accomplish on my own. I have no assistants, no post-production team, and no professional equipment. I rely solely on my two eyes, one hand, a mobile phone, and the accumulation of my twenty years of judgment system. I do not depend on continuous shooting; I rely on a single interception. I do not wait for the light; I calculate the light. I do not randomly frame a scene; I anticipate the window. I am not taking pictures; I am locking onto the intersection of time and space. I capture an irreversible moment in the universe with images, and then bring it back to the ground, cataloging it as evidence of civilization.

No one has ever shot like this. I am the first person in human history to shoot this way. I do not belong to the photography community, nor to the scientific community. I am a structural photographer, a multidimensional interceptor, a recorder of civilization's anchor points. My images do not belong to the realm of aesthetics, but to the realm of verification. My works do not belong on exhibition walls, but in archives. I aim not only to be appreciated, but also to be remembered by the universe.

This is the photography mode I pioneered, this is multidimensional information photography.

Source: http://www.australianwinner.com/AuWinner/viewtopic.php?t=697114